XL20 : Samsung's 1rst LCD LED - BeHardware
>> Monitors

Written by Vincent Alzieu

Published on February 7, 2007

URL: http://www.behardware.com/art/lire/654/


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Samsung's 1rst general public LCD LED


The first general public LCD LED monitors

LCD monitors continue to evolve. Standard backlighting is condemned for the short term and will be replaced by LED matrixes. The improvements expected by this transition are richer colors and better panel homogeneity.

The XL20 is remarkable for two reasons:

- this is the first LED monitor for the general public or at least is more or less affordable. We remind you that we already tested the Nec LCD2180WG LED, but its downside is that it is priced at €5000…

- Samsung had the bright idea to try and combine the best components currently on the market. Even if it sounds really surprising, a Samsung panel wasn’t picked but rather an AU-Optronics A-MVA.


You may have noticed the modification of the prefix in front of the MVA denomination. It has changed from P-MVA (this panel is in the Belinea 10 20 35W, for example) to A-MVA. What difference does it make? Because of the lack of technical documentation we only have a few limited observations. There are some variations in terms of afterglow, a little more for homogeneity and even more for viewing angles.




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Ergonomics, design

Ergonomics
This is the downside of LED monitors and for now manufactures don’t know how to build thin bezels. The panel of the XL20 is 9 cm thick and Samsung carefully avoids showing it. The only pictures published show the monitor from the front or with light protection.


This detail might be surprising for the general public, but not for professionals, because pro monitors (Nec, LaCie, Eizo...) are generally quite big. The XL20 only confirms this characteristic.

The monitor is vertically adjustable, but it is very big. For comparison, here is the Samsung 204B, not really an example of thinness, and the XL20.

We don’t necessarily demand that monitors be ultra thin, but rather to have good rendering and this mostly means “good for colors”.

Knowing that the panel is an MVA, we will not only make do with a color analysis as MVA are generally very fast and have better than average video. Therefore, these tests are also on the menu!


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Color redering quality

Color quality
The quality of colors is measured with the LaCie BlueEye Pro colorimeter, which in fact is a Gretag colorimeter coupled to the software suite developed by LaCie.

Just to remind you, we work with a value called DeltaE. It represents a measurement between the color requested and the one really displayed on the monitor. The higher the result obtained, the less true colors are. The value is also counter-balanced for human eye color sensitivity.

Delta E > 3 the desired color is noticeably different from the one on the screen.
2 < Delta E < 3 color quality is satisfactory but a graphic designer probably wouldn’t be content
1< Delta E <2 colors are accurate.
Delta E < 1, the result is perfect.

Each time, 18 patches of color are studied and 16 results are reported in a graph.

Here are the average gaps (DeltaE 94) measured for our 18 color patches (the smaller the better):


This monitor claims a wide gamut, 114% of NTSC space, but Samsung has optimized it for sRGB, which is quite obvious. We can choose the display mode via the small control in lower left corner of the monitor. In sRGB, according to the average dE at 3, colors are accurate form the start. If we choose the Adobe RGB table, it increases to 5.8.

Calibrating it with a good probe is enough to correct the RGB Adobe colors to not only have better but richer colors.
If you aren’t familiar with this, it might surprise you. Skies, for example, show colors inaccessible to other monitors. We could even believe that they are too saturated and pushed too far, but they aren’t.

For calibration, you can use the probe that comes with the monitor, the Gretag Huey. We don’t like it too much, because it’s too instable and makes imperfect corrections. Also the brightness adjustment function is more toy-like than anything. It is unfortunate that Samsung hasn’t instead given us the possibility to have a price reduction of €99, the price of the Huey, to choose another probe. Perhaps we expect too much.

In terms of the gamut, the improvement is quite spectacular form one space to another:

This time, the entire ISOcoated space of professional printers is comprised in the monitor space. Professional graphic designers won’t be surprised when they will see the result on paper.

This gamut is much wider than with monitors equipped with new CCFL backlights or the wide gamut recently found in the Nec 26” monitor:

IPS 6 ms: Nec MultiSync LCD2690WUXi


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Brightness homogeneity

Brightness homogeneity
LED backlighting is made of a multitude of diodes. In addition to the wide gamut, they can also provide better panel homogeneity to avoid dark or over-lighted areas.

The XL20’s result is a bit disappointing at first. The gaps are moderate – less than 8% form one corner to the other – but not reduced to zero. This result is nevertheless:

-comparable to those measured with the Nec LED, the LCD2180WG, which also features LED backlighting but is much more expensive than the LCD2180WG.

- better than LCD monitors with standard CCFL backlights. Differences can attain up to 50% and more commonly 25% between two areas.

We confirmed in a previous article that CRTs were also subject to this problem. The Mitsubishi Diamondtron 930SB shows variations of up to 15%.


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Reaction time

Reaction time

A car moves from left to right at high speed.

Movement isn’t perfectly fluid. Depending on its speed, the car is shown in several successive positions. If the car goes very fast, the positions are very close and the eye perceives a flowing movement.

perfect monitor
monitor with two afterglow images

A monitor without ghosting effects would have previous images completely fading away when a new one appears. This is the theory and in practice, it's often not the case as images progressively fade. Sometimes up to 5 afterglow images remain on the monitor and represent the visible white trail behind objects. Some monitors have strong overdrives in addition to image anticipation algorithms. In this case, an image can appear in front of the main object, creating a white halo ahead of objects in motion.

We capture afterglow with a camera at a shutter speed of 1/1000 s for an LCD. We take 50 pictures per test. We then can see a monitor’s ghosting effects, or all the car’s position in the entire process. The most important image is the one on the left, the better one. It will be the most displayed on the monitor, while the one on the right is in transition.

Here are the two extreme states with each monitor as afterglow oscillates.

A-MVA 8 ms : Samsung SyncMaster XL20


This is a typical result of MVA 8ms monitors. Here, this MVA is qualified as A, for Advanced. From our point of view, we don’t see the difference compared to P-MVAs (P for Premium) in games, unless you really scrutinize the scene over and over. In this case, the A-MVA (Samsung XL20) looks a bit faster. This is shown in the “best” picture, in which the ghost trail is completely white instead of showing a bit of color like the ViewSonic VX2025wm below. For common use, however, even a very demanding user will not see the difference between two versions of MVA panels.

Comparison with competing monitors:
P-MVA 8ms : ViewSonic VX2025wm


PVA 8 ms : Samsung SyncMaster 215TW


IPS 6 ms : Nec MultiSync 20WGX˛


TN 5 ms : Samsung SyncMaster 204B


IPS 16 ms : Nec MultiSync LCD2090UXi

Our conclusions are unchanged. TN 2, 3, 4 and IPS 6ms like the Nec 20WGX˛ are the fastest for games. This isn’t perfect (our expectations for 100 and 120 Hz monitors are great) but this is the closest to CRTs for now.

Then comes the MVA, A-MVA and P-MVA which are noticeably faster than the PVA 6/8 ms and TN 5/8/12/16 ms.


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Viewing angles and movies

Viewing angles
We take pictures of monitors on the side with a 50° angle. Announced viewing angles in characteristics are often over exaggerated. As for the XL20, its angles are quite good. This is less impressive than with IPS monitors (they have been the reference for years) but it is better than P-MVAs. We do not have the technical documentation to explain the differences (probably minor) but here is one of the keys that justified the name modification of these panels:
A-MVA 8ms : Samsung SyncMaster XL20


P-MVA 8ms : Belinea 10 20 30W


IPS 16 ms : Dell 2007WFP


TN 6 ms : Samsung SyncMaster 204B


PVA 8 ms : Samsung SyncMaster 215TW


P-MVA 8ms : ViewSonic VX2025wm

The XL20 obviously has wider viewing angles compared to P-MVA monitors (Belinea and ViewSonic). It competes with the Dell (IPS panel) which remains the best for in this test. The reductions for the Samsung are quite low but are nevertheless there. This is particularly true from the sides (horizontal angles).
Movies

It is best this time to leave the Adobe RVB and come back to sRGB. The best is even manual adjustments. If you don’t, you will be annoyed by the washed out black strips above and below the film. When choosing the sRGB, this problem is less noticeable.


For twinkling, we didn’t notice any improvements compared to P-MVA panels. A-MVAs aren’t better but neither are they worse. Twinkling is visible for someone looking for it from a distance inferior to 2 meters. It is, however, more discreet than with TN, PVA and IPS panels.
To reduce it, move to the graphic card
level. We recently published an article about NVIDIA and ATI drivers which now have quite efficient correction functions. For now, we prefer NVIDIA’s solution which gives the possibility to manually and more efficiently adjust the correction.

We do find it unfortunate however, that Samsung didn’t announce the DVI input as being HDCP compatible. There is a possibility that it might not be capable of displaying HD movies and games protected by the HDCP encoding norm.


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Conclusion

Conclusion
The XL20 is the future of LCD monitors. We particularly appreciated its really wide gamut, the possibility to easily switch from one color profile to another and the new viewing angles (finally!!!). Whether it’s for movies or dual monitor configurations, it is really a great improvement.

The only thing is, we don’t know the price. In principle it should be moderate. We have heard somewhere around 1400 euros, but this hasn’t been officially confirmed. Of course, this would be much more expensive than current 20” monitors - priced around €350. This has also to be compared to the only other LED monitor on the market, the NEC with the same diagonal, same gamut, but priced at 5000€ (!). Also, this is the first LCD of this type to target the general public. We believe that little by little, this technology will be present in more affordable monitors.

Another detail to settle in the future is the design. LED backlights really increase thickness. In consequence, because of the unattractive design and lack of progress in reaction time, not everyone will go for this technology.
What improvements in 2007 ?
This year will be a good year for monitors. We first expect many HDMI monitors with HDCP compatibility to display protected digital content (consoles and movies).

We also expect the first 1ms monitors, but we are skeptical about the real improvements induced by this reduction in time. Our hopes are on the future 100 and 120 Hz monitors as we have seen in the TV world.

Canon persists on announcing the release of the first SED monitors by the end of the year in Japan and in the US. At first, this technology will be restricted to TVs. This is something that we won’t test at first except if we see a real convergence between the world of the office and living room (which is likely to happen). There are now some very good TVs that can be used very effectively as monitors!

OLED: does it really exist? We haven’t heard from this technology for a long time. Samsung pretends to have forgotten about it and Sony announced stopping its production of monitors (and all technologies are concerned). Will they ever succeed one day in releasing an OLED?


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